American Art History

Description

1826-1912
Brendon Busby
Flashcards by Brendon Busby, updated more than 1 year ago
Brendon Busby
Created by Brendon Busby over 4 years ago
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Resource summary

Question Answer
Winslow Homer, Prisoners from the Front, 1866
Eastman Johnson, A Ride for Liberty: The Fugitive Slaves, 1862-1863
Timothy O'Sullivan, A Harvest of Death, Gettysburg, PA, 1863
Edmonia Lewis, Forever Free, 1867
Lilly Martin Spencer, Shake Hands, 1854
John Neagle, Pat Lyon at the Forge, 1826-1827
Winslow Homer, The Old Mill (The Morning Bell), 1871
Thomas Anshutz, Ironworker's Noontime, 1880-1881
Thomas Eakins, The Gross Clinic, 1875
Thomas Eakins, Max Schmidt, 1871
Winslow Homer, Inside the Bar, 1883
Winslow Homer, Northeaster, 1895
James Abbot McNeil Whistler, Arrangement in Grey and Black (the Artist's Mother), 1871
William Merritt Chase, In the Studio, 1880
Kenyon Cox: Eclogue, 1890
John Singer Sargent, Repose, 1911
John Singer Sargent, Isabella Stewart Gardner, 1888
Cecilia Beaux, Sita and Sarita, 1893
William Harnett, After the Hunt, 1885
Henry Ossawa Tanner, The Annunciation, 1898
Mary Cassatt, The Caress, 1891
Mary Cassatt, At the Opera, 1879
Mary Cassatt, The Boating Party, 1893-1894
Robert Henri, Laughing Child, 1907
John Sloan: A Woman's Work, 1912
Aestheticism *focused on decoration *Women (nudes) became a symbol of beauty (replacing male masculinity often represented in paintings) *women were the focus, but not in any meaningful way (often seen as part of the scenery, something ornate).
representation of women *Changed throughout the years *scenery, then to people, then to someone proud and confident
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