Flashcards
Chamber Music-Texture
Cards in this deck (28)
- 1Overall tonality-Mendelssohn Modulations?D major with modulations to B and F# minor
- 2What does the harmonic rhythm do at the cadence-MendelssohnQuickens at the cadence-CLASSICAL
- 3Dynamics at chord changes?-Mendelssohnfp dynamics at harmonic chord changes-accents chord changes
- 4Exposition harmonies-MendelssohnExposition (1-81)
outlines tonic and dominant harmonies - 5Harmonies in the opening of the development?-MendelssohnDevelopment (120-229)
Diminished 7th harmonies prevalent in the opening of the development - 6what happens at Bar 174-MendelssohnFALSE RECAPITULATION
in the tonic
A major 7th chord preparation for real recap - 7Bar 331 (coda) What are the harmonies-MendelssohnBar 350=F# diminished 7th
Bar 362 beat 3=E major 7 1st inversion =V7b of V
Bar 363-365 dominant outlined with CHROMATIC passing notes
Bar 366 =D major to end - 8Key feature-BrahmsTonal ambiguity
- 9Overall tonality+modulations-BrahmsA minor
Ends in A major
2nd subject-C major (third modulation!) - 10Bar 10-BrahmsPiano alternates major and minor modes because of C#-C-C#
- 11What harmonic device is used throughout development-BrahmsDevelopment (bar 83-131)
Dominant pedal - 12Bar 82-Brahmspiano A minor chord but with 6-5 suspension in the clarinet
No leading note and low texture leaves music open ended, perfect for leading into dominant - 13Cadence at the end-BrahmsIC-I NO PERFECT CADENCE
- 14Bar 105-114-BrahmsDecorated cycle of fifths
- 15Bar 100-BrahmsTonal ambiguity is maintained throughout
f# minor suggested but no C# so could be D major - 16Recapitulation 2nd subject-BrahmsF major down a major 3rd relationship
- 17Bar 57-BrahmsDiminished harmony
- 18Bar 62-BrahmsDouble suspension in piano
- 19Recapitulation-Brahms Tonal centresRecapitulation (bars 132-224)
Bar 132-A minor first inversion
Bar 134-F major first inversion
Bar 136-D major 1st inversion
Bar 140-141=V7-! in C major, relative major to the tonic A minor - 20Overall Tonality-DebussyNo overall tonal centre
Could be F major or C major - 21Bar 9-DebussyFifths in viola+ harp
FC in viola, CG in harp
BITONALITY - 22Bar 26-DebussyAb Major Suggested
- 23Bar 26 following bars-DebussyFollowing bars suggest e minor or C major due to D7 chord with no 5th and E-G third
- 24Throughout the movement-DebussyChromatic movement throughout
- 25Tonal Stability-DebussyBar 53 C major
Bar 66 F major - 26Bar 70-DebussyHarp tritone
- 27Bar 73-DebussyHarp diminished harmonies
Harmonically ambiguous - 28Final cadence-DebussyNo cadence, just an F7 chord with no mediant
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- Flashcards on Chamber Music-Texture, created by Lotte Davis on 08/06/2015.
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- Lotte Davis
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