Criado por Danielle Baker-Smith
mais de 8 anos atrás
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Copiado por Charlotte Wild
mais de 8 anos atrás
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Questão | Responda |
Choreographer | Christopher Bruce |
Company Name | Various, but Rambert is a main one |
Date First Performed | November 1987 |
Accompaniment by | Phillip Chambon |
Accompaniment Type | Electro-Acoustic with digitally sampled sounds, vocals, a reed pipe and popular dance rhythms. |
Costume Designer | Christopher Bruce |
Costume | Everyday clothes associated with roles. Uniforms for the interrogators and jeans and t shirt for the victim. |
Lighting Director | David Mohr |
Lighting | Overhead lighting and a diagonal shaft of light to suggest natural light from upstage left. Footlights create shadows. The lighting is very atmospheric. |
Set designer | Christopher Bruce |
Set | A bare stage apart from a chair, suggests a cell. The interrogators always exit stage right – this could be where the door to the cell is. The chair has many purposes and is used symbolically as a weapon, a shield and shackles (like hand cuffs). Props include canes for the guards, and a red nose which is used to degrade the prisoner. |
Dance Style | Contemporary with physical contact and some ballet movements. Tap dance. |
Staging | Proscenium |
Number of Dancers and Gender of Dancers | 3 men usually |
Dance idea or concept | From the work that Amnesty International do and the experiences of Chilean poet Victor Jara. Amnesty International help foreign people who have been put in prison abroad. Human Rights. |
Structure of the Dance | Introduction followed by 7 sections. Victim is always on stage. |
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