Flashcards
Bach Chorales (Four Part Harmonisation)
Cards in this deck (8)
- 13-2-1 Pattern (Make Four Important Points)- You can use a passing seventh, but you need to dot it to avoid parallel fifths
- You can use a iib as an approach to IC
- You can add a 4-3 suspension to the V in quavers, but shouldn't be done unless confident
- Passing note is vital for Ib-V-I bassline - 23-2-1 Pattern Basslines (Compose Two)
- 32-2-1 Pattern (Make Five Important Points)- Suspensions, either the seventh of ii7b or the 4 of the V4-3, need prep and resolving in the same part
- Suspended note will be the tonic of cadence key
- You can use a passing seventh
- Ib and vi are good approaches for ii7b
- If approaching ii7b from vi and the preparation note is already in the bass, the third can be doubled - 42-2-1 Pattern Basslines (Compose Two)
- 58-7-8 Patterns (Make Five Important Points)- If melodic pattern is not 8-8-7-8, a IC should be used
- You cannot use a passing seventh
- Suspensions, either seventh of ii7b or the 4 of the V4-2, need prep and resolving in the soprano part
- Ib and vi are approaches for ii7b
- iib without a seventh is an approach to IC - 68-7-8 Pattern Basslines (Compose Three)
- 76-7-8 Patterns (Make Three Important Points)- viib-I is too weak a progression, but it should be preferred
- Double the third in viib
- Would work in the middle of a phrase - 86-7-8 Pattern Basslines (Compose Two)
