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Controlling Images
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Controlling Images
Patricia Hill-Collins
race, class, gender oppression could not exist without ideological justification
- controlling images are part of a generalized ideology of domination
- "major instrument of power" (68)
- designed to make racism, sexism and poverty seem natural
- ↪ maintain subordination
- controlling images are part of a generalized ideology of domination
objectification as the other
- either/or dichotomous thinking
- e.g. black/white, male/female, reason/emotion, culture/nature...
- "In either/or dichotomous thinking, difference is defined in oppositional terms. One part is not simply different from its counterpart; it is inherently opposed to its 'other'." (69)
- "As objects, one's reality is defined by other's, one's identity created by others, one's history named only in ways that define one's relationship to those who are subject." - bell hooks (1989, 24)
- either/or dichotomous thinking
➤ 4 interrelated, socially constructed controlling images
- MAMMY
- desexualized faithful servant
- has accepted her subordination
- puts the needs of her white family before that of her own
- created to justify the economic exploitation of house slaves
- BLACK MATRIARCH (SAPPHIRE)
- symbolizes the "bad" black mother
- allows the dominant group to blame African-American women for the success or failure of their children
- overly aggressive, unfeminine, emasculating anger
- WELFARE MOTHER
- stigmatizes black women as the cause of their own poverty
- signify a threat to political & economic stability
- takes the focus away from structural sources of poverty by blaming the victim
- JEZEBEL
- sexually aggressive, hypersexuality
- originated under slavery to provide rational for the widespread sexual assault suffered under slavery
- MAMMY
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- From Patricia Hill-Collins "Black Feminist Thought: Knowledge, Consciousness and the Politics of Empowerment" (1990).
- Created by
- Tona Con · May 2016
- Updated
- Nov 15, 2016
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