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The Long Queen couldn't die.

Young when she bowed her head

for the cold weight of the crown, she'd looked

at the second son of the earl, the foreign prince,

the heir to the duke, the lord, the baronet, the count,

then taken Time for a husband. Long live the Queen.

What was she queen of? Women, girls,

spinsters and hags, matrons, wet nurses,

witches, widows, wives, mothers of all these.

Her word of law was in their bones, in the graft

of their hands, in the wild kicks of their dancing.

No girl born who wasn't the Long Queen's always child.

Unseen, she ruled and reigned; some said

in a castle, some said in the tower in the dark heart

of a wood, some said out and about in rags, disguised,

sorting the bad from the good. She sent her explorers away

in their creaking ships and was queen of more, of all the dead

when they lived if they did so female. All hail to the Queen.

What were the laws? Childhood: whether a girl

awoke from the bad dream of the worst, or another

swooned into memory,bereaved, bereft, or a third one

wrote it all down like a charge-sheet, or the fourth never left,

scouring the markets and shops for her old books and toys -

no girl growing who wasn't the apple of the Long Queen's eye.

Blood: proof, in the Long Queen's colour,

royal red, of intent; the pain when a girl

fist bled to be insignificant, no cause for complaint,

and this to be monthly, linked to the moon, till middle age

when the law would change. Tears: salt pearls, bright jewels for the Long Queen's fingers to weigh as she counted their sorrow.

Childbirth: most to lie on the birthing beds,

push till the room screamed scarlet and children

bawled and slithered into their arms, sore flowers;

some to be godmother, aunt, teacher, teller of tall tales,

but all who were there to swear that the pain was worth it.

No mother bore daughter not named to honour the Queen.

And her pleasures were stories, true or false,

that came in the evening, drifting up on the air

to the high window she watched from, confession

or gossip, scandal or anecdote, secrets, her ear tuned

to the light music of girls, the drums of women, the faint strings

of the old. Long Queen. All her possessions for a moment of time.

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The Long Queen: Poem analysis

Starts off the whole 'Feminine Gospels'.

Represents women in history

A Life cycle is presented in four assertions:

Childhood

Blood -- Menstruation? Loss of virginity?

Tears

Childbirth

An extended metaphor of womanhood and childhood

Stanza 1:

'The Long Queen couldn't die'

'couldn't die' - Immortalised? Deity? Legacy? Her effect on man-kind is irreplaceable and powerful that her influence lives on to this day

Declarative statement - Draws emphasis on the

'Young when she bowed her head

for the cold weight of the crown, she'd looked

at the second son of the earl, the foreign prince,

the heir to the duke, the lord, the baronet, the count,'

Asyndeton - the persistent use of commas