Fichas

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Bre Butler Arts Inglés 73 fichas

Fichas del conjunto (73)

1—Lorenzo Ghiberti - Gates of Paradise (detail of Isaac and his Sons)
[ITALIAN RENAISSANCE]
2—Donatello - Gattamelata (Equestrian statue of Erasmo da Narni)
[ITALIAN RENAISSANCE]
3—Sandro Botticelli - Birth of Venus
[ITALIAN RENAISSANCE]
4—Brunelleschi - Pazzi Chapel
[ITALIAN RENAISSANCE]
5—Andrea Mantegna - ceiling of the Camera Picta (Painted Chamber)
[ITALIAN RENAISSANCE]
6—Raphael - School of Athens
[ITALIAN RENAISSANCE]
7—Michelangelo - Sistine Chapel Ceiling
[ITALIAN RENAISSANCE]
8—Michelangelo - Sistine Chapel ceiling detail of Expulsion and Temptation
[ITALIAN RENAISSANCE]
9—St. Peters, views of exterior and interior; begun by Bramante completed by Michelangelo
[ITALIAN RENAISSANCE]
10—Titian - Venus of Urbino
[ITALIAN RENAISSANCE]
11—Veronese - Christ in the House of Levi
[ITALIAN RENAISSANCE]
12—Matthias Grünewald - Isenheim Altarpiece (closed)
[NORTHERN RENAISSANCE]
13—Dürer - Melancolia I
[NORTHERN RENAISSANCE]
14—Lucas Cranach the Elder - Allegory of Law and Grace,
[NORTHERN RENAISSANCE]
15—Quinten Massys - Money-Changer and His Wife
[NORTHERN RENAISSANCE]
16—Pieter Bruegel the Elder - Winter: Return of the Hunters
[NORTHERN RENAISSANCE]
17—Colegio de San Gregorio - Coat of arms of King Ferdinand and Queen Isabella
[NORTHERN RENAISSANCE]
18—Donatello - David
[ITALIAN RENAISSANCE]
19—Masaccio - Tribute Money
[ITALIAN RENAISSANCE]
20—Brunelleschi - Santo Spirito
crossing, nave, transept, nave arcade, clerestory; use of modular scheme
[ITALIAN RENAISSANCE]
21—Perugino - Delivery of the Keys to Saint Peter
[ITALIAN RENAISSANCE]
22—Andrea Mantegna - The Dead Christ
[ITALIAN RENAISSANCE]
23—Leonardo da Vinci - Last Supper
[ITALIAN RENAISSANCE]
24—Raphael - Madonna in the Meadow
[ITALIAN RENAISSANCE]
25—Michelangelo - David
[ITALIAN RENAISSANCE]
26—Michelangelo - Sistine Chapel ceiling, detail of Creation of Adam
[ITALIAN RENAISSANCE]
27—Plans for St. Peter’s Basilica, Rome, Italy
[ITALIAN RENAISSANCE]
28—Andrea Palladio - Villa Rotonda
[ITALIAN RENAISSANCE]
29—Tintoretto - The Last Supper
[ITALIAN RENAISSANCE]
30—Dürer - The Fall of Man (Adam and Eve)[NORTHERN RENAISSANCE]
31—Dürer - Four Apostles
Left to right: John the Evangelist, Peter, Mark, Paul.
[NORTHERN RENAISSANCE]
32—Hans Holbein the Younger - The French Ambassadors
[NORTHERN RENAISSANCE]
33—Hieronymus Bosch - Garden of Earthly Delights
[NORTHERN RENAISSANCE]
34—Jean Clouet - Francis I [NORTHERN RENAISSANCE]
35—El Greco, - Burial of Count Orgaz
[NORTHERN RENAISSANCE]
36—Leonardo da Vinci - Madonna of the Rocks
[ITALIAN RENAISSANCE]
37—Leonardo da Vinci - Mona Lisa,
[ITALIAN RENAISSANCE]
38—Parmigianino - Madonna of the Long Neck
[ITALIAN RENAISSANCE]
39—Caterina van Hemessen, - Self-Portrait
[NORTHERN RENAISSANCE]
40• AlchemyThe study of seemingly magical changes, especially chemical changes.
41• AnamorphicAnamorphosis is a distorted projection or perspective requiring the viewer to occupy a specific vantage point, use special devices or both to view a recognizable image.
42CartoonIn painting, a full-size preliminary drawing from which a painting is made.
43• Di sotto in suItalian, “from below upward.” A perspective view seen from below.
44• ChiaroscuroIn drawing or painting, the treatment and use of light and dark, especially the gradations of light that produce the effect of modeling.
45• DisegnoItalian, “drawing” and “design.” Renaissance artists considered drawing to be the external physical manifestation (disegno esterno) of an internal intellectual idea of design (disegno interno).
46. coloritoItalian, “colored” or “painted.” A term used to describe the application of paint. Characteristic of the work of 16th-century Venetian artists who emphasized the application of paint as an important element of the creative process. Central Italian artists, in contrast, largely emphasized disegno—careful design preparation based on preliminary drawing.
47• Trompe l’oeilFrench, “fools the eye.” A form of illusionistic painting that aims to deceive viewers into believing that they are seeing real objects rather than a representation of those objects.
48• Plateresque styleA style of Spanish architecture characterized by elaborate decoration based on Gothic, Italian Renaissance, and Islamic sources; derived from the Spanish word platero, meaning “silversmith.”
49predellaThe narrow ledge on which an altarpiece rests on an altar.
50ReniassanceFrench, “rebirth.” The term used to describe the history, culture, and art of 14th- through 16th-century western Europe during which artists consciously revived the classical style.
51• IconoclasmThe destruction of religious or sacred images. In Byzantium, the period from 726 to 843 when there was an imperial ban on such images. The destroyers of images were known as iconoclasts. Those who opposed such a ban were known as iconophiles.
52MannerismA style of later Renaissance art that emphasized “artifice,” often involving contrived imagery not derived directly from nature. Such artworks showed a self-conscious stylization involving complexity, caprice, fantasy, and polish. Mannerist architecture tended to flout the classical rules of order, stability, and symmetry, sometimes to the point of parody.
53• Genre scenesA style or category of art; also, a kind of painting that realistically depicts scenes from everyday life.
54• GrisailleA monochrome painting done mainly in neutral grays to simulate sculpture.
55Orthoganalof or involving right angles; at right angles.
56• Sfumatothe technique of allowing tones and colors to shade gradually into one another, producing softened outlines or hazy forms.
57Sistine ChapelThe ceiling of the chapel was commissioned by Pope Julius II.
58Martin LutherWrote the manifesto listing ninety-five arguments, or Theses, against the use and abuse of indulgences in the catholic religion
59Reformationinitiated in response to the growing sense of corruption and administrative abuse in the church
It expressed an alternate vision of Christian practice, and led to the creation and rise of Protestantism, with all its individual branches
60Allegorya story, poem, or picture that can be interpreted to reveal a hidden meaning, typically a moral or political one.
61• The Netherlandsreligious duties being put on the side became a norm. Example, Money-Changer and His WIfe
62• Classicismthe following of ancient Greek or Roman principles and style in art and literature, generally associated with harmony, restraint, and adherence to recognized standards of form and craftsmanship, especially from the Renaissance
63Intaglioa design incised or engraved into a material.
64relief printingprinting from raised images, as in letterpress and flexography.
65The “four humors”The four animals are representations of the four temperaments, or humors— Ox, cat,bird, rabbit - phlegmatic, sanguine, melancholic, and choleric.
66• Community (Monastery) of Saint Anthony & hospitalOldest monastery in the world
67Council of Trentthe ecumenical council of the Roman Catholic Church that met at Trent intermittently from 1545 to 1563, and defined church doctrine and condemned the Reformation.
68Counter-Reformationthe period of Catholic resurgence that was initiated in response to the Protestant Reformation.
69alberti - on the art of building art historythe first modern treatise on the theory and practice of architecture
70alberti - on paintingone of the most important texts of its time for artists and remained influential for centuries.
71•Vitruvius - De ArchitecturaVitruvius believed that an architect should focus on three central themes when preparing a design for a building: (strength), (functionality), and (beauty).
72• Giorgio Vasari - Lives of the ArtistsThe Lives of the Most Excellent Painters, Sculptors, and Architects, also known as The Lives, is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari
73• Andrea Palladio - The Four Books on ArchitectureThe Four Books of Architecture offers a compendium of Palladio's art and of the ancient Roman structures that inspired him.