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Megan Quinn Design English 88 cards

European Baroque: Trevi Fountain in Rome, Italy

Cards in this deck (88)

1—European Baroque: Trevi Fountain in Rome, Italy
2—European Baroque: S. Peter's Basilica in Rome, Italy
3—European Baroque: S. Peter's floor plan
4—European Baroque: S. Peter's cutaway
5—European Baroque: S. Peter’s
Basilica baldacchino
6—European Baroque: Carlo alle
Quattro Fontaine
7—European Baroque: Karlskirche(S. Charles’s Church), 1716-1739; Vienna, Austria
8—European Baroque: Royal Palace, 1738-1764; Madrid, Spain;
9—European Baroque: Nave, Rosenkranz
Basilika, S. Maria
Rotunda, 1631-1634;
Vienna, Austria.
10—European Baroque: Nave, Church of S.
Nicholas, completed
1735; Prague, Chezh
Republic
11—European Baroque: Bedroom,
Palazzo Sagredo,
1718; Venice, Itlay.
12—European Baroque: Armchair, 1706; now in Ca’Rezzonico, Venice,
Italy
13—Motifs: Top from left:
panel detail with shell motif
and textile detail with
asymmetrical curves and
flowers; bottom: ceiling detail
with Chinoiserie and singerie
motifs, Grand Singerie,
Château de Chantilly, 1737,
France. Louis XV/Rococo.
15—Cabinet de la Pendule (Clock Room), Palais de Versailles, mid 18th
century; Versailles, France. Rococo.
16—Blue Room at Musée Carnavalet, mid-18th century; Paris, France. Louis
XV/Rococo
17—Salle du Conseil, Palais de Fontainebleau, France; mid-18th century
interior decoration with Empire furniture; Fontainebleau, France
18—Elevation, side of a grand salon, mid-18th century; France. Louis XV/Rococo
19—Panel and door
of Grande Singerie,
Château de Chantilly,
1737; France;
Christophe Huet.
Louis XV/Rococo.
20—Textiles: Top from left: toile de
Jouy in a transitional style to Louis
XVI and Indian Palampore; bottom:
floral pattern, mid-18th century
France. Louis XV/Rococo.
21—Lighting: From left: flambeau, candelabra, and applique; mid-18th century;
France. Louis XV/Rococo.
22—Fauteuil, 18th century; France. Louis XV/Rococo.
23—Caned armchair, 18th century; France.
Louis XV/Rococo.
24—Duchesse brisée. Louis XV/Rococo.
26—Commode with panels of Chinese Coromandel lacquer and European
black-lacquer veneer, mid -18th century; France; Bernard van Risen Burgh II.
Louis XV/Rococo. Image © Th
27—Lit à la française
(bed) at Château Vaux-
le-Vicomte, mid-18th
century; France. Louis
XV/Rococo.
28—Covered tureen, Sèvres; mid-18th century;
France. Louis xv/Rococo.
29—Architectural Details
and Motifs: From top left, ear
motif and door, Westover
Plantation, 1730s-1750s and
bottom: highboy detail.
American Georgian.
30—Fanueil Hall, 1740-
1742; Boston,
Massachusetts; John
Smibert; enlarged and
rebuilt in 1805 by
Charles Bulfinch.
American Georgian.
31—Christ Church,
1727-1754;
Philadelphia,
Pennsylvania.
American Georgian
32—Independence
Hall (originally
Pennsylvania State
House), 1731-1791;
Philadelphia,
Pennsylvania.
American Georgian.
33—Drayton Hall, 1738-1742; Charleston, South Carolina. American
Georgian.
34—Hunter House, 1748; Newport, Rhode Island. American Georgian.
35—Hunter House, Drawing Room,1748; Newport, Rhode Island. American
Georgian.
36—Mount Pleasant, 1761-1762; Philadelphia, Pennsylvania.
American Georgian.
37—Mount Pleasant, east elevation,1761-1762; Philadelphia, Pennsylvania.
American Georgian.
38—Mount Pleasant, floor plan, 1761-1762; Philadelphia, Pennsylvania.
American Georgian.
39—Powel
House, 1767-1769;
Philadelphia,
Pennsylvania.
American Georgia
40—Powel House, drawing room 1767-1769; Philadelphia, Pennsylvania.
American Georgian
41—Hammond-Harwood
House and floor plan, 1773-1774;
Annapolis, Maryland; William
Buckland. American Georgian.
42—Wythe House, c. mid 1750s; Williamsburg, Virginia; probably
by Richard Taliaferro. American Georgian.
43—Hall passage,
Gunston Hall, 1759-
1787; Fairfax County,
Virginia; William
Buckland and William
Bernard Sears. American
Georgian.
44—Parlor, Gunston Hall, 1759-1787; Fairfax County, Virginia; William Buckland
and William Bernard Sears. American Georgian.
45—Readborne
Parlor c, early to mid-
18th century; paneling
and fireplace originally
from the Colonel
James Hollyday House,
1733; Centreville,
Maryland. American
Georgian.
46—Textiles and Wallpaper: Indian print palampore, Governor’s Palace, mid-
18th century; Williamsburg, Virginia; flocked wallpaper, Kenmore House, c.
mid-18th century; Fredericksburg, Virginia. American Georgian.
47—Lighting: brass candlesticks and lantern, Kenmore House, c. mid-18th
century; United States. American Georgian.
48—Windsor chairs, c. mid-18th century; United States. American
Georgian.
49—Chest of drawers, c. mid-18th century; Newport, Rhode
Island; John Townsend and John Goddard. American Georgian.
50—High chest of
drawers (highboy), c.
mid-18th century;
United States.
American Georgian.
51—Motifs and Architectural Details: Top
from left: wall ornament by Robert Adam;
stair detail at Kenwood House; pilaster
and entablature detail; and bottom:
furniture detail; late 18th century; England.
Late English Georgian
52—Kenwood House, 1764-1779; Hampstead, London, England. Robert Adam.
Late English Georgian.
53—Kenwood
House, Library,
1764-1779;
Hampstead,
London, England;
Robert Adam.
Late English
Georgian.
54—Royal Crescent, 1767-1775; Bath, England; designed by John Wood before
his death in 1754 and built by his son John Wood II. Late English Georgian.
55—Saltram House, remodeled 1743-1781; Plymouth, England; Robert Adam.
Late English Georgian.
56—Saltram House, floor plan and
dining room ceiling, remodeled 1743-
1781; Plymouth, England; Robert
Adam. Late English Georgian.
57—Saltram House, dining room, remodeled 1743-1781; Plymouth, England;
Robert Adam. Late English Georgian.
58—Hall, Syon House, 1762-1769; London, England; Robert
Adam. Late English Georgian.
59—Dining Room,
Osterly Park, 1766-
1768 and 1775-1777;
London, England.
Robert Adam. Late
English Georgian.
60—Etruscan Dressing Room, Osterly Park, 1766-1768 and 1775-1777;
London, England. Robert Adam. Late English Georgian.
61—Ceiling
design; England;
Robert Adam. Late
English Georgian.
62—Textile: Fabric in the Adam style. Late English Georgian.
63—Lighting: Hanging lamp and Argand lamp,
c. late 18th century. Late English Georgian.
64—Chair with shield back, late 18th century and chairs with shield, oval, and
heart backs published in The Cabinet-Maker and Upholsterer’s Guide, c. 1782-1788;
book by George Hepplewhite; England. Late English Georgian.
65—Parlor chair, c. 1792, published in The Cabinet-Maker
and Upholsterer’s Drawing Book in Four Parts, c. 1802;
England. Thomas Sheraton. Late English Georgian.
66—Pembroke table, mahogany; England. Late English
Georgian.
67—Sideboard, mahogany with marquetry; probably by Robert
Adam. Late English Georgian.
68—Commode in the dressing room of the Countess of Derby at Osterly
Park, from a colored engraving by B. Pastorini, 1770; London, England;
Robert Adam. Late English Georgian.
69—State bed, Osterly Park, c. 1776; London, England; Robert
Adam. Late English Georgian.
70—Decorative Arts: Girandole
(wall sconce); George Hepplewhite.
Decorative Arts: Vase,
Jasperware, c. late 18th
century; Josiah Wedgwood.
71—Motifs and Architectural
Details: Top from left: Eagle
inlay from card table, c. 1790-
1820; Rhode Island; pair of
vases, c. 1810-1830; France,
possibly Paris; and bottom:
doorway, Wickham-Valentine
House, 1811; Richmond,
Virginia. American Federal
72—Massachusetts State House, 1795-1798; Boston Massachusetts; Charles
Bulfinch. American Federal.
73—Meetinghouse, 1816; Lancaster, Massachusetts;
Charles Bulfinch. American Federal.
74—First Harrison Gray Otis House and floor plan, 1795-1796; Boston,
Massachusetts; architecture by Charles Bulfinch. American Federal
75—First Harrison Gray Otis House, dining room, 1795-1796; Boston,
Massachusetts; architecture by Charles Bulfinch. American Federal.
76—Gardner-Pingree House and porch ,1804-1805; Salem, Massachusetts;
Samuel McIntire. American Federal.
77—Gardner-Pingree House, parlor, 1804-1805; Salem, Massachusetts;
Samuel McIntire. American Federal.
78—Monticello and floor plan, begun
1777, remodeled 1793-1809;
Charlottesville, Virginia; Thomas
Jefferson. American Federa
79—Nathaniel Russell House, before 1809;Charleston, South Carolina;
Russell Warren. American Federal.
80—Stair hall,
Wickham-Valentine
House, 1811;
Richmond, Virginia;
Alexander Parris.
American Federal.
81—Textiles: Toile de Jouy print
with symbols of the new American
Republic.
25-10. Lighting: Argand lamp, late
18th century; United States.
82—Heart-back
side chair, c. 1800;
Maryland or Virginia.
American Fede
83—Shield-back side chair in the style of George Hepplewhite,
c. 1800; Maryland or Virginia. American Federal.
84—Phyfe Room, Winterthur Museum; Wilmington, Delaware;
furniture in the Federal style made by or attributed to Duncan Phyfe. [Courtesy Winterthur Museum] *Substitute image.
85—ofa, c. 1810-1815; New York, New York; attributed to Duncan Phyfe.
American Federal.
86—Chest of drawers, c. 1795; Maryland. American Federal. [Courtesy of the Diplomatic Reception Rooms, U.S. Department of State]
87—Secretary, c.
1806-1810; New York,
New York. American
Federal
88—Decorative Arts: Looking glass, c. 1800-1825; New York, New York
and coffee and tea service, c. 1794; Philadelphia, Pennsylvania; John Le
Tllier