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Created by Ellie Hope
over 9 years ago
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| Question | Answer |
| ‘Her adaptations of traditional fairy tales sought to subvert the patriarchal leanings of the stories’ | Anon |
| 'Strong bond between mother and daughter' | Ellen Conran Rose |
| ‘Hers is not an easy feminism’ | Elaine Jordan |
| ‘This long story subtly links the fairy tale, Gothic literature, and pornographic literature’ | Rebecca Laroche |
| ‘her Marquis belongs to a latter-day generation of Bluebeard’s progeny’ | Rebecca Laroche |
| ‘A true Gothic heroine, like Carter’s, goes where she should not’ | Rebecca Laroche |
| ‘Passivity is never a virtue, in fact, even - especially not- in women’ | Helen Simpson |
| ‘Some of their most beautiful passages are about metamorphosis’ | Helen Simpson |
| ‘The imminence of death pervades her work’ | Rosemary Hill |
| ‘Her main concern is to subvert the conventional ideologies and replace them with feminist ones’ | Su Na Choi |
| ‘Carter challenges patriarchal society with a devilish passion and dexterity’ | Anon |
| 'Otherness takes center stage’ | Fred Botting |
| ‘It is the women who become active and saviours, not the men’ | Merja Makinen |
| ‘The heroines of these stories are struggling out of the straightjacket of history and ideology’ | Helen Simpson |
| ‘The animal aspects of human nature are her particular concern’ | Duncker |
| ‘Carter's work has consistently dealt with representations of the physical abuse of women.’ | Merja Makinen |
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