7240943
Description
Mind Map by serena harper, updated more than 1 year ago
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Created by serena harper
over 7 years ago
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One Last Touch
- Narrative
- Propps Sphere of Action
- The idea that fairy tale characters
are reoccurring roles in Hollywood
movies e.g. princess, villain,
anti-villain, helper etc.
- In 'One Last Touch' our film follows
the Propp's theory as we could easily
label most of our characters to some
of the characters Propp identified.
Will would be the princess in this
movie by the end and Darcy would be
the hero as it is will Darcy who will
end up saving Will. This goes against
the stereotype of it always being the
males saving the girl. Then the
anti-hero’s will be Nancy and Jess as
even they aren’t the villains in the
story they make Will and Darcy’s life a
bit harder to get back to the present
day.
- The idea that fairy tale characters
are reoccurring roles in Hollywood
movies e.g. princess, villain,
anti-villain, helper etc.
- Levi Strauss' Binary Opposites
- He says that narratives
always revolves around
binary opposites e.g.
good vs. evil.
- Some of the binary opposites
that feature is ‘reality vs
fantasy’ because what
happens to the characters
would never actually happen
so the concept is a fantasy
concept. The second binary
opposite I have identified is
‘present vs. the past’ as the
film flips between the present
day back and forth.
- He says that narratives
always revolves around
binary opposites e.g.
good vs. evil.
- Roland Barthes' codes
- Barthes' theory
has identified
codes that helps
the audience
understand the
plot
development.
- Barthes' theory
has identified
codes that helps
the audience
understand the
plot
development.
- Todorovs' theory of disequilibrium
- Equilibrium- disequilibrium- re-equilibrium
- Equilibrium; when they met at the start
- Disequilibrium: when Will begins to bump into his family members
- Disequilibrium: when Will begins to bump into his family members
- Equilibrium- disequilibrium- re-equilibrium
- Propps Sphere of Action
- Genre
- Rick Altman
- Genre Evolution- five stages;
'The form finding itself',
'The Classics', 'Stretching
the boundaries'. 'Parody',
'Homage'
- My trailer would be a 'homage' because I
wouldn't identify it as a 'stretching the
boundaries film' but the film is not a parody
- Genre Evolution- five stages;
'The form finding itself',
'The Classics', 'Stretching
the boundaries'. 'Parody',
'Homage'
- Steve Neale
- Semantic elements and Syntatic elements
- Semantic: - Easier for the
audience to identify - signs
e.g. blood from a horror
- the time travelling in my story line will be a clear sign that my film belongs to the 'time travel genre'
they will be able to tell its a romance from how the character act around each other they will also be
able to tell my movie is an adventure from the journey the characters take
- Syntactic: - themes and plots
found in the film - harder for
the audience to identify
- One of the main syntactic elements is the link
between the unthinkable and reality which a
common theme in sci-fi films
- One of the main syntactic elements is the link
between the unthinkable and reality which a
common theme in sci-fi films
- Semantic: - Easier for the
audience to identify - signs
e.g. blood from a horror
- Semantic elements and Syntatic elements
- Rick Altman
- Representation
- Stanley Cohen
- Believes that negative representations happen
because of groups being "marginalised" or
"demonised"
- We will not be showing any
negative stereotypes in my
trailer as I want the
audience to connect with
the characters regardless
of the gender and age
- We will not be showing any
negative stereotypes in my
trailer as I want the
audience to connect with
the characters regardless
of the gender and age
- Believes that negative representations happen
because of groups being "marginalised" or
"demonised"
- Stanley Cohen
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