Flashcards
Final

Flashcards do conjunto (83)
- 1—Gainesborough
Portrait of Lady Sheridan
England Rococo
- everything is overgrown - england
- sensual color
- not usually outside
- 2—Hogarth
Wedding Contract from Marriage a la Mode
English Rococo
- he is making fun of rococo
- 3—Derby
Philospher giving that lecture on the orrery
Neoclassicism
- looking at Caravaggio (tenebrism)
-philosopher is telling them all the new things
-philosopher almost a god like figure
- 4—David
Oath of the Horatii
Neo-classicism
- drapery: real
- has balance and symmetry
- about sacrifice and national identity
- arches starchly classical
- 5—David
Napoleon Crossing the Saint Bernard
Neo-classicism
He is so much more important than everyone else
easy to read
- 6—Canova
Cupid and Psyche
Neo-Classicalism
- Very classical
- composed
- Cupid and Psyche come from mythology
- frozen in time
-
- 7—West
The Death of General Wolfe
Neo-Classicalism
- lighting
- pieta - he looks like christ
- all happening right in front of your face
- 8—Copley
Paul Revere
Neo-Classicalism
- democratic idea of who should be represented in art
- he is being represented based on his merit
- linen shirt: that is a symbol of him being a commoner
- even a silversmith is a smart man
- enlightenment principles even the lower class can think
- 9—Monticello
Thomas Jefferson
American Neo Classicalism
- Doric Columns
- Pediment
- Octagonal Domes
- Lunar Windows
- Red Brick = local materials
- symmetrically laid out
- 10—Grand Odalisque
Ingres
French Neo-Classicism
- this woman is weird (boneless arm, long back, weird legs
- has elements of mannerism
- 11—Gros
Napoleon in the Plague House at Jaffa
French Neo-Classicism
- Foreign Architecture
- most important is the foreground
-napoleon ain't afraid he is touching the victims
- victims are sick and going mad right in front of you
- napoleon is a god-like features and kings have a divine right
- 12—The Raft of the Medusa
Gericault
French Romanticism
- there is mystery in it
- it can only get worst
- see human nature that can't be explained
- body chuncks (cannibalism)
- you are thrust into it
- not controlled and ordered
- 13—Liberty Leading her People
Delacroix
French Romanticism
- personifies liberty - she is pissed off
- thrown into this scene
- elements of irrational
- have Notre Dame in the background (French power)
- 14—Family of Charles IV
Goya
Spanish Romanticism
- the king looks stupid
- not natural
-they liked being represented as a real person
- 15—The Third of May
Goya
Spanish Romanticism
- don't see faces of soliders only the ones getting executed connect with the emotions you can see those who are about to be killed
- soliders inhumane can't see their face
- you are there as a witness
- dead falling into your space
- tenenbrism - spotlight
- see the guy in the middle - christ on the cross
- 16—Snow Storm
Turner
English Romanticism
sn
- tiny humans storm over powering = sublime
- man sucumbing to the elements
- 17—Slave Shi
Turner
English Romanticism
- everything is a mess
- the message is emotionally renching (a storm coming lighten your ship throw over the cargo to make it light - in this case it is slaves)
- human beings can do dumb things
- 18—The Haywain
Constable
English Romanticism
- wants to transport you to these beautiful places
- 19—House of Parliment
Barry and Pugin
English Romanicism
- Looks like it should be from the gothic period
- 20—Abbey in the Oak Forest
Friedrich
German Romanticism
- ruins: nature tore down the buildings it will tear down everything
- 21—The Oxbow
Cole
American Romanticism
- tiny humans big nature
- something bad is coming
- battle in the sky
- nature of contrast
- blasted trees in the rule of thirds
- tension in the sky
- nature is bigger than us
- 22—Still Life
Daguerre
1837
- capture details that you cannot with painting
- romanticism
- 23—The Stonebreakers
Courbet
Realism
- no heroism or grandeur
- it is what it is
- you can't ignore what they are doing it has to be done but it takes labor
- about realism in the moment
- 24—The Gleaners
Millet
Realism
- not glorified task, but the hard work
- 25—The Third Class Cabin
Daumier
Realism
- train forces different classes together that is what you see here
- juxtaposition...ages, class,
- family like christ, older man joseph, child and woman mary and christ, john the baptist they were also lowly
- 26—Barge haulers on the Volga
Rapin
Realism
- the laborious work
= faces are real
- 27—The Luncheon on the Grass
Manet
Realism
- woman catches you looking at her
- we know the people related to artist
- no idea of space, background is sloshy
- going against what artist do
- based this on Raphael - classical influence
- 28—the gross clinic
eakins
realism
- i the middle is surgeon with his head glowing
- too much shown for audience
- 29—Woman in a Loge
Mary Cassatt
Impressionism
- she provides us with a women's view
- contemporary light
- colors
-non sexualized woman
- her face is normal
- she doesn't have to be ideal
- doing her thing without a man
- 30—A Bar at the Folies-Bergere
Manet
Realism w/ Impression elements
- the people and chandler are more spots which shows impressionism capturing a movement working fast
- Realism elements: she looks like she doesn't want to be there working, showing the labor | inside of showing the activity like trapeze artists from the roof | not everything is great
- 31—Degas
The Rehearsal of the Ballet on Stage
Impressionism
- background is quick
- colors new hues
- a moment in time the dancers look like they struggling
- not the glamour but is the rehearsal
- cutting things off like in photography
- 32—Mount St. Victoire
Cezanne
Post-Impressionism
- Impression elements: colors and light
- Everything is becoming more blocky
- so more basic shapes
- not a window to the world
- flattening things so it is hard to see background and foreground: showing painting is 2D
- 33—Still Life with Basket of Apples
Cezanne
Post-Impressionism
- dark outlined
- apples in real world aren't this spherical
- the napkin is fractured into different shapes
- table on right is straight on, but looking from left you look at it from above
- 34—A Sunday Afternoon on the Island of La Grande Jatte
Seurat
postimpressionism
- made out of dots
- frame around it
- solid forms that are static and calm
- can't do movement
- everything is frozen in time
- mix of classes
- 35—Starry Night
van Gogh
Post Impressionism
- from the inside of an asylum
- this is not what it actually looks like outside not a window to the world
- using the landscape to portray how he is feeling
- chaos
-cypress tree - symbolic of death
- blue is the color that dominates this because it makes you calm but also sad associated with melancholy
- there is yellow and a church = hope
- 36—At the Moulin Rouge
Toulouse-Lautrec
Post Impressionism
-claustophrobic
- you shouldn't be there
- you are on outsider
-asymmetry
-diagonals
- 37—Mahana no Atua (Day of the God)
Gauguin
Post-Impression
- represent colors and mythically aspects of this place
- it looks out of the world. color, people, religion
- 38—After the Sermon
Gauguin
Post Impressionism
-placing the things that can't be seen in the seen
- color filled
- don't have to be an exact replica of what you see
- 39—The Apparition
Moreau
Symbolism
- john the baptist
- never hear of john the baptist haunting salima
- taking what we know combining it with something unknown leaving us not wanting to look at it long
- 40—The Sleeping Gypsy
Rousseau
Symbolism
-explores dreamlike landscapes
- 41—entry of christ into brussels
ensor
expressionism
- the thing you are looking for "christ" is hidden in the painting and overtaken by the world
-make you question and feel unsettled faces and colors
- 42—The Burghers of Calais
Rodin
Expressionism
- not idealized form
-each one has a different expression
- it is close to the ground to show that everyone would do this
- 43—The Scream
Munch
Expressionism
-weird throbbing colors
-swirled brush strokes
- a moment of horror
- body reflecting what a scream looks like
- 44—Arrangement in Grey and Black #1
Whistler
Tonalism
How the the grays and blacks go together
asymmetry cutting off pictures and the scene
- 45—Impression Sunrise
Monet
Impressionism
- quick brushstrokes
- solid colors = reflection of life
- specific colors with tones
- basic impression of human form
- 46—Moulin de la Galette
Renior
Impressionism
- light dots on the back
- capture the moment
- more interested in figures
- 47—Fountain
Duchamp 1917
Dada
not retinal, but this piece makes you think
- 48—Guernica
Picasso
Cubism
1937
- multiple perspectives sandwiched into one
- greyscale, no color - ash = grey, color distracts, wants it to be like a newspaper
- chaos and suffering
- pieta vibes on the left with the mother and child suffering
- light at top = eye of god - turned mechanical- how can a diety let this happen
- 49—Number 1 Lavender Mist
Pollock
Abstract Expressionism
Process more important than product
shows the inner turmoil he is trying to explain
- 50—Woman 1
Kooning
Abstract Expressionism
- not totally willing to give up human figure
- he is strugglinf with women
- 51—The Bay
Frankenthaler
Abstract Expressionisim
- second NY school
- 52—No. 14
Rothko
Abstract Expressionism
- square with fields of color
- sponges
- colors are impactful and have emotions
- 53—Hudson River Landscape
Smith
Abstract Expressionism
flat narrative
- 54—The Seagram
rohe
International Style
- less is more
- steel is what you need
- this whole building is a steel core and glass
- 55—Canyon
Rauschenberg
pop
- anti abstract expressionism
- he makes it 3D
- incorporates real life
- 56—flag
john
pop
encaustic: wax and paint
becomes flat rigid and unbending like nationalism
not flat surface under surface are comic strips and newspaper
- 57—Monroe Diptych
Warhol
Pop
- celebrities taking the place of religious figures
- we still have saints but they look different than they do in the past
- by the end left with a hallow shell of what she is
- stripped down to nothing
- this beautiful thing overdosed this year and died
- 58—Casa Mila
Gaudi
Art Nuevuea
- looks like sand castle
- chimney = soft serve
- floor plan = cell biology
- connecting to nature, unique
-over the top
- 59—The Kiss
Klimt
Art Neuvuea
- like byzatine
-flat, gold leaf, rectangular shapes,
- figures are realistic though
- 60—The Wainwright Building
Sullivan
Pre Modern Architecture
- form follows function
- detail is insane
- proportion and shape
- 61—The Joys of Life
Matisse
Fauvism
- not the way you would see it
- suppose to be refreshing
-nature and man in harmony
- 62—Street
Kirchner
die Brucke
- broad brushstrokes
- not suppose to be pretty show the ugliness through his eyes
- 63—The Large Blue Horses
Marc
Die Blaue Riter
- use animals to show pure life experiences
- blue = masculinaty
- animals can't hide their emotions
- 64—Improvisation
Kandinsky
Die Blaue Riter
- show process as expression
- color
- holding on to form
- 65—La Demoiselles d'Avignon
Picasso
Cubism
- different forms
-- not a lot of beauty
- form is going down into shape
- fracturing and reducing shape
- 66—The Portuguese
Braque
Cubism
- multiple vanishing points
- looking at it from different views
- 67—Still Life with Chair-Caning
Picasso
Cubism
- 68—La Ville
Legar
Orphism
- everything can be broken down into mechanism form
- 69—Dynamism of a Dog on a Leash
Balla
Futurism
- speed that the weiner dog has to move its feet
- about modern life and the speed
- how do we capture
- 70—Unique Forms of Continuity in Space
Boccioni
Futurism
- 71—Black Square
Malevich
Suprematism:
-
- 72—Arrangement according to Laws of Chance
Arp
Dada
- challenging the skill that has to go into art
-stretching your idea of what art is
- 73—Monument to the third international
Tatlin
Constructivism
- this is the 3rd attempt for communism
-this is a the time for success
- monument to show how great it will be
- propaganda using metaphors to show greatness of communism
- 74—Worker and Collective Farm Woman
Mukhina
Socialist Realism
- what Stalin is trying to show
- strong powerful indvidualistic individuals
- 75—Bahaus Building
Gropius
Bauhaus:
- modern angles
-glass interior
-steel interior
- used for anything
- 76—Composition with Red blue and yellow
Piet Mondrian
De Stijl:
cool
classical
how you create it
- 77—The Persistence of Memory
Dali
Surrealism
- space isn't working
- skin, clock, compass doesn't make sense doing things we wouldn't think they could do
- 78—Object
Opprenheim
Surrealism
- we don't know what it is exactly
- taking two things we know to create something weird
- breaking you out of your normal way of thinking
- 79—My Egypt
Demuth
American Regionalism:
- fraction of light that breaks up sightline
- america is reflecting prosperity
- 80—Falling Water House
Wright
American Regionalism:
- 81—American Gothic
Wood
American Regionalism
- real people
- true american values
- working hard
- a little 2-D
- 82—Migrant Mother
Lange
American Realism
- camera to the streets
- perseverance
- 83—rouen Cathedral
Monet
Impressionism
Informações
- Descrição
- FlashCards sobre Final, criado por Addison Saunders em 19-05-2022.
- Criado por
- Addison Saunders
- Visualizações
- 5
- Avaliação
Mais sobre Rococo to Neoclassicism