3978676
Description
Flashcards by Hazel Meades, updated more than 1 year ago
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Created by Hazel Meades
over 8 years ago
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| Question | Answer |
| Étude Aux Objets | A later Schaeffer piece |
| Klangfarbenmelodie | By Webern Literally translates as sound-colour-melody Each note of the melody is played by a different instrument |
| Red Bird (a political prisoner's dream) | 1973-77 By Trevor Wishart Done with razor blades in a studio |
| Presque rien No 1 (le lever du jour au bord de la mer) | 1967 By Luc Ferrari 24 hour recording of beach edited down to 21 mins Pre-cursor to ambient music |
| Hétérozygote | 1963/4 By Luc Ferrari Acousmatic work Uses environmental sounds to suggest a linear narrative |
| Kontakte | 1959/60 Stockhausen Early work WDR 2 versions: one for piano, electronic sound and percussion and one for electronic sound only |
| Gesang der Jünglinge | 1955/6 Stockhausen Early work WDR Translates to: song of the youths Original version in 5 channels Uses recordings of a boy's voice with electronic sound |
| Studies I and II | 1953, 1954 Stockhausen Early work Composed at WDR I uses additive synthesis II uses subtractive synthesis |
| Étude | 1952/3 Stockhausen Early work Made at Radio France Studying with Messaien Used musique concrète editing techniques Different compositional aesthetic (e.g: sound spatialisation) |
| Synthesisms | 1970 Barry Vercoe Written in MUSIC 360 Computer generated sound and then it was recorded Not in real-time Software "orchestra" and "score" which triggers sound |
| Illiac Suite | 1957 Hiller Uses computer to calculate musical events Composition for a string quartet in 4 movements (experiments) Evolves according to composer set rules |
| Turenas | 1972 Chowning Uses 2 sound components (carrier and modulator) to produce time varying timbre with transformations, spatialisation and other musical stuff. FM synthesis is used. |
| Mortuos Plango Vivos Voco | 1980 Harvey Composed at IRCAM in Paris Computer analysis of real sounds (bell and son's voice) Morphing References Gesang der Jünglinge in terms of sonic components and compositional procedures |
| Vermont Counterpoint | 1982 Steve Reich Ghost image strategy Duplicates instrumental parts on tape |
| Inharmonique | 1977 Risset Orchestral approach Early work in physical modelling Worked at Bell labs in 1964 and used MUSIC IV software to digitally recreate brass instrument sounds |
| EQ | 1980 Harrison Used a sax Acousmatic approach Fuses key clicks and attack syllables along with synthesised drones and chords |
| Clarinet Threads | 1984 Smalley Timbral fusion with clarinet as core of musical development |
| Ensphered | 1990 By Vaughan (my lecturer!) More concerto-like Hybrid techniques Some digital sources mixed in analogue |
| Bhakti | 1982 Harvey Major ensemble work |
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