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ENGL 3002 Midterm

Grace Gent English English 41 cards

ENGL 3002 Midterm

Cards in this deck (41)

  1. 1—Alexander Pope, "An Essay on Man"
    - neoclassical
    Alexander Pope, "An Essay on Man" - neoclassical
  2. 2—Phillis Wheatley, “Thoughts on the Works of Providence”
    - neoclassical
    Phillis Wheatley, “Thoughts on the Works of Providence” - neoclassical
  3. 3—Thomas Gray, "Ode on the Death of a Favourite Cat"
    - neoclassical
    - didactic
    Thomas Gray, "Ode on the Death of a Favourite Cat" - neoclassical - didactic
  4. 4—Thomas Gray, "Elegy Written in a Country Churchyard"
    - neoclassical
    Thomas Gray, "Elegy Written in a Country Churchyard" - neoclassical
  5. 5—Anna Laetitia Barbauld
    “The Mouse’s Petition"
    Anna Laetitia Barbauld “The Mouse’s Petition"
  6. 6—Robert Burns, "To A Louse"
    - burns stanza
    - epigrammatic
    Robert Burns, "To A Louse" - burns stanza - epigrammatic
  7. 7—Robert Burns, "To a Mouse"
    - burns stanza
    - epigrammatic
    Robert Burns, "To a Mouse" - burns stanza - epigrammatic
  8. 8—William Blake, “Introduction” to Songs of Innocence
    - Romantic
    - art with nature
    William Blake, “Introduction” to Songs of Innocence - Romantic - art with nature
  9. 9—William Blake, "The Lamb"
    - Romantic
    - moving from symbolism to emotional encounters
    William Blake, "The Lamb" - Romantic - moving from symbolism to emotional encounters
  10. 10—William Blake, "The Tyger"
    - Romantic
    - moving from symbolism to emotional encounters
    William Blake, "The Tyger" - Romantic - moving from symbolism to emotional encounters
  11. 11—William Blake, "The Marriage of Heaven and Hell"
    - Romantic
    - the creation as a fall
    William Blake, "The Marriage of Heaven and Hell" - Romantic - the creation as a fall
  12. 12—William Blake, "The Chimney Sweeper"
    - Romantic
    - epigrammatic
    William Blake, "The Chimney Sweeper" - Romantic - epigrammatic
  13. 13—Samuel Taylor Coleridge, “The Eolian Harp”
    - Romantic
    - poet as instrument
    - inspiration
    Samuel Taylor Coleridge, “The Eolian Harp” - Romantic - poet as instrument - inspiration
  14. 14—William Wordsworth, "Lines Written at a Small Distance from my House"
    - Romantic
    William Wordsworth, "Lines Written at a Small Distance from my House" - Romantic
  15. 15—William Wordsworth, “Preface” to Lyrical Ballads
    - Romantic
    - instances of expansion (via poetry)
    William Wordsworth, “Preface” to Lyrical Ballads - Romantic - instances of expansion (via poetry)
  16. 16—William Wordsworth, “Lines Written a Few Miles Above Tintern Abbey”
    - Romantic
    - inspiration
    - nature
    William Wordsworth, “Lines Written a Few Miles Above Tintern Abbey” - Romantic - inspiration - nature
  17. 17insertLord Byron, “Darkness”
    - Romantic
    - inspiration
    - nightmares
    insert
  18. 18insertPercy Bysshe Shelley, “Ozymandias”
    - Romantic
    - presence of the past
    insert
  19. 19—Percy Bysshe Shelley, “Ode to the West Wind”
    - Romantic
    - inspiration
    - poet as instrument
    Percy Bysshe Shelley, “Ode to the West Wind” - Romantic - inspiration - poet as instrument
  20. 20—Percy Bysshe Shelley, excerpt from “A Defence of Poetry”
    - Romantic
    - inspiration
    - poet as instrument
    - role of art
    Percy Bysshe Shelley, excerpt from “A Defence of Poetry” - Romantic - inspiration - poet as instrument - role of art
  21. 21insertJohn Keats, “Ode on a Grecian Urn”
    - Romantic
    - mortality, time
    - frozen in happy moment (?)
    - presence of the past
    insert
  22. 22insertJohn Keats, "Bright Star”
    - Romantic
    - mortality, time
    insert
  23. 23insertFelicia Hemans, “The Image in Lava”
    - Romantic
    - mortality, time (similar questions as Keats' "Grecian Urn")
    - presence of the past
    insert
  24. 24insertMary Shelley, "Frankenstein, or the Modern Prometheus"
    - the Sublime
    - contrasted w cramped spaces in the novel (ex; the hovel)
    insert
  25. 25insertMary Shelley, "Frankenstein, or the Modern Prometheus"
    - the domestic / the desire for the domestic
    insert
  26. 26insertMary Shelley, "Frankenstein, or the Modern Prometheus"
    - isolation
    - sympathy (or lack thereof)
    insert
  27. 27—Mary Shelley, "Frankenstein, or the Modern Prometheus"
    - myths and acts of creation
    - parallel to potential horrors of Romantic inspiration
    Mary Shelley, "Frankenstein, or the Modern Prometheus" - myths and acts of creation - parallel to potential horrors of Romantic inspiration
  28. 28insertNathaniel Hawthorne, “The Minister’s Black Veil”
    - symbolic ambiguity
    - we all have hidden sin; our own black veils
    insert
  29. 29insertNathaniel Hawthorne, “The Birthmark”
    - symbolic ambiguity
    - had she been otherwise imperfect, mark = less noticeable
    - disability studies perspective
    insert
  30. 30slides not posted? anyone have specific passages they remember being discussed?Edgar Allan Poe, “The Man of the Crowd”
  31. 31slides not posted? anyone have specific passages they remember being discussed?Edgar Allan Poe, “The Black Cat”
  32. 32slides not posted? anyone have specific passages they remember being discussed?Walt Whitman, “Edgar Poe's Significance,” from Specimen Days
  33. 33insertHerman Melville, "Benito Cereno"
    - settler colonial setting
    - cognitive dissonance of the White Northerner
    - gothic language
    insert
  34. 34insertHerman Melville, "Benito Cereno"
    - 19th century racism
    - cognitive dissonance of the White Northerner
    insert
  35. 35insertHerman Melville, "Benito Cereno"
    - Babo's Theatre and African political strategy
    - Haitian revolution
    insert
  36. 36insertHerman Melville, "Benito Cereno"
    - how is history written?
    - limits of the archive, the violence that produces it
    insert
  37. 37excerpts not on slides; review textFrederick Douglass, "Narrative of the Life of Frederick Douglass, an American Slave"
  38. 38insertRobert Browning, “Porphyria’s Lover”
    - Victorian poet
    - first person
    - male desire is affected by power and possessiveness in objectification of women
    insert
  39. 39insertRobert Browning, “My Last Duchess”
    - Victorian poet
    - first person
    - male desire is affected by power and possessiveness in objectification of women
    insert
  40. 40insertChristina Rossetti, “Goblin Market”
    - Victorian poet
    - sisterhood
    - female desire
    insert
  41. 41idk which dickinson excerpts to pulldickinson!

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excerpts referenced in lecture slides
Created by
Grace Gent
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