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Flashcards

Hamlet Quotes

rachelouise01 English NCEA Level 3 English 5.0Average rating 5.0 out of 5 (1 rating) 40 cards

Cards in this deck (40)

  1. 1Who's there?-Barnardo
    First line of the play - beginning with a question. Begins in the middle of a scene (in medias res).
    Uncertainty/Identity/Perception
  2. 2That if again by this apparition come, he may approve our eyes and speak to it.-Marcellus
    Believing by what we see or seeing what we want to believe. Significance of speaking.
    Other connection: Confirmation bias - Hamlet wants to see his father.
    Perception/Belief/Words/Speech
  3. 3This bodes some strange eruption to our state.-Horatio
    Violent imagery of destruction. Foreshadows individual state of being and the state of the Danish nation.
    Action/Consequence/Conflict/Built Up
  4. 4...young Fortinbras of unimproved mettle, hot and full...-Horatio
    Contrast between Hamlet and Fortinbras' (undisciplined energy) character. Challenging or questioning the roles of princes.
    Authority/Identity/Acting/Roles/Perception
  5. 5...it started like a guilty thing...-Horatio
    Is the ghost guilty? Implies being conscious of consequences. Our actions and appearance reveal our true intentions and disposition.
    Intentions/Perception/Justice/Consequence
  6. 6...discretion fought with nature-Claudius
    Held back from things we ought to do (based on the judgement of others?). Claudius not properly grieving, encouraging the same in others.
    Action/Oppression/Pressure/Authority
  7. 7The head is not more native to the heart, the hand more instrumental to the mouth.-Claudius
    Linking thought to emotion, action to word. Actions should act out our words in a balance of thoughtful and emotional discernment.
    Words/Action/Thought/Emotion
  8. 8A little more than kin, and less than kind.-Hamlet
    Establishing expectations of Hamlet with a pun.
    Expectations/Reality/Words
  9. 9...fruitful river in the eye...-Hamlet
    River as a symbol for grief, fruit as a symbol for productivity. River causes fruit to grow. The healing processed through grief is natural, helpful and productive.
    Nature/Grief/Healing
  10. 10Together with all forms, moods, shapes of grief, that denote me truly. These indeed seem, for they are actions that a man might play.-Hamlet
    Considering the authenticity of grief. We are defined by the emotions we feel. Actions aren't genuine but 'acted'.
    Grief/Identity/Acting
  11. 11O that this too too sullied flesh would melt, thaw and resolve itself into a dew-Hamlet
    Ice is unmoving, showing inaction. Hamlet has to change state in order to move. Needs warmth from others? Resolution from acting
    Inaction/Resolution
  12. 12'tis an unweeded garden Something is rotten in the state of Denmark-Hamlet
    -Marcellus
    Referring to Denmark as a flawed garden (decay). There are things growing that shouldn't be. This is a continuing process, overtaking.
    Nature/Corruption/Growth/Decay
  13. 13Frailty, thy name is woman Here's metal more attractive-Hamlet
    Perception and opinion of women. Expected roles. Women as material objects.
    Roles/Expectation/Gender Roles
  14. 14I must hold my tongue-Hamlet
    Implying that words are an action in themselves, causing consequence.
    Action/Words/Obligation
  15. 15Give thy thoughts no tongue, nor any unproportion'd thought his act.-Polonius
    It's important to have a filter for your thoughts and for your actions through your thoughts. Contrast with Hamlet who frequently voices his thoughts - opposing other characters.
    Action/Words/Speech/Expectations
  16. 16Do not believe his vows, for they are brokers.-Polonius
    Mistrust of words. Action speaks louder than words because words are fragile. Ironically using words to critique words.
    Words/Speech/Trust/Truth
  17. 17I do not set my life at a pin's fee-Hamlet
    Doesn't value his life very much. Potential result of grief.
    Life/Death/Value
  18. 18He waxes desperate with imagination-Horatio
    Desire for something unreal. Life isn't satisfying.
    Life/Death/Reality
  19. 19That one may smile, and smile, and be a villain-Hamlet
    What we see isn't always true. Appearances are deceiving. Comment on hers and villains.
    Perception/Truth
  20. 20These are but wild and whirling words-Horatio
    Connecting words to action or words alone are worth enough without action.
    Words/Action
  21. 21He seem'd to find his way without his eyes, for out o'doors he went without their helps.-Ophelia
    Appearance. Others see us even when we fail to see ourselves clearly. Action doesn't require logical perception though it would ensure sensible action.
    Reality/Identity/Grief/Madness/Action
  22. 22This is the very ecstasy of love, whose violent property...leads the will to desperate undertakings.-Polonius
    The violent nature of love causes us to act illogically and desperately. Warning to Ophelia about Hamlet - could reference Hamlet and his father.
    Love/Action
  23. 23Sith nor th'exterior nor the inward man resembles that it was.-Claudius
    Grief and madness transform both our inner and outer selves. Recognised by those around us.
    Change/Perception/Appearance/Reality/
    Misalignment/Grief/Madness
  24. 24Why day is day, night night and time is time-Polonius
    Language without true meaning is pointless. Language isn't intended to state the obvious.
    Words/Meaning
  25. 25For to define true madness, what is't but to be nothing else but mad?-Polonius
    Searching for meaning is irrelevant and creates the opposite effect.
    Madness/Meaning
  26. 26More matter with less art-Gertrude
    Art doesn't hold truth and therefore doesn't matter. Madness could be art with less matter. Too many words creates a loss of meaning and precision. Too many words in the play itself?
    Words/Truth/Art/Madness/Meaning
  27. 27Except my life, except my life, except my life-Hamlet
    Repletion similar to 'words, words, words'. Nihilistic, loss of meaning in loss of meaning for life. Close to 'accept'. He isn't accepting of his life, it dissatisfies him.
    Life/Death/Meaning
  28. 28The very substance of ambitious is merely the shadow of a dream.-Guildenstern
    An ambitious man achieves no more than a shadow of what he dreamed of.
    Dreams/Meaning/Perception
  29. 29A dream itself is but a shadow-Hamlet
    Darkness instead of hope found in dreams. There isn't anything truly tangible in life.
    Life/Death/Dreams/Shadows
  30. 30Yet I...can say nothing...am I a coward?-Hamlet
    The inability to speak out is a form of cowardice. It is in fact braver to act. Fear in relation to self preservation is shallow.
    Action/Speech/Perception/Cowardice
  31. 31Must like a whore unpack my heart with words-Hamlet
    The only way to express himself is to speak - the power of words. It is shameful and exposing to offer one's feelings.
    Speech/Words/Expression
  32. 32For murder, though it have no tongue, will speak with most miraculous organ.-Hamlet
    Actions speak louder than words for they have the capacity to be much more drastic.
    Actions/Words/Speech
  33. 33To die, to sleep; to sleep perchance to dream--Hamlet
    Comparing death to sleep and dreaming. Elevating death as an escape from life - peaceful, reviving.
    Life/Death/Inaction/Dreams
  34. 34Thus conscious does make cowards of us all-Hamlet
    Overthinking holds us back from taking action and clouds natural resolution/instinct. Deliberates about Claudius and doesn't act, doesn't think and kills Polonius by accident. Our true nature is scary and wild and needs a conscious.
    Action/Cowardice/Thought
  35. 35...commencement of his grief sprung from neglected love-Polonius
    Lack of love causes grief. Love is powerful.
    Love/Grief
  36. 36Suit the action to the word, the word to the action-Hamlet
    Words and action. One causes the other but not always in the same order. Hamlet may not be obeying his own philosophy. Could be Hamlet's method of acting mad.
    Action/Words/Acting
  37. 37the purpose of playing...is to hold as t'were the mirror up to nature-Hamlet
    The purpose of art is to reflect life and nature accurately. Causes us to consider what both Hamlet and Shakespeare are showing us through their art.
    Art/Storytelling/Acting/Nature
  38. 38Revenge should have no bounds-Claudius
    Revenge is dangerous and uncontrollable. When acting from revenge, we lose our own boundaries.
    Revenge/Action
  39. 39The readiness is all-Hamlet
    Hamlet's obsession with timing.
    Timing/Action/Thought
  40. 40antic disposition most foul, strange and unnatural words, words, words a crafty madnessDeeper context

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NCEA Level 3 English (3.1 - Written Text) Flashcards on Hamlet Quotes, created by rachelouise01 on 08/09/2015.
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