Mind map
All Blues - Miles Davis

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All Blues - Miles Davis
Dynamics
- crescendos
- diminuendos
Texture
- mainly melody dominated homophony
- piano comping
Melody
- based on G mixolydian mode - allows for more freedom when improvising
- intro
- first riff played by string bass - pizzicato
- second riff played by alto and tenor sax - in thirds
- head
- played by trumpet with harmon mute on
- major 6th intervals with stepwise motion
- blue notes, crushed notes and mordents
- not improvised
- mostly legato
- solos
- Miles Davis (trumpet)
- harmon mute off for darker, richer sound
- improvised
- lots of rests and sustained notes that show off unique sound
- more blue notes
- few fall-offs
- pitch stays middle range
- Cannonball Adderley (alto sax)
- pitch uses upper range
- more running scales and short bursts
- virtuosic
- John Coltrane (tenor sax)
- virtuosic
- intricate rhythm
- scales, arpeggios and triplets
- more dissonant - plays away from the chord
- Miles Davis (trumpet)
- outro
- tonic note repeated with crushed notes
Harmony/Tonality
- Tonic key: G major with flattened 7th
- piano plays dissonant trills and altered and extended chords
- 12 bar blues chord sequence (changes):
Rhythm/Metre
- 6/4 time signature (jazz waltz)
- swung quavers
- syncopated
- cross rhythms
Structure
- 12 bar blues
- intro
- head
- repeated before link
- solos
- frontline solos - 48 bars long
- Evans' piano solo - 24 bars long
- 4 bar link passage between each solo
- head repeated twice before outro
- intro riff between repeat of head and outro
Instrumentation
- frontline instruments
- trumpet
- alto sax
- tenor sax
- rhythm section
- double/string bass
- piano
- drum kit - snare played with brushes
- frontline instruments
About the Piece
- Modal jazz piece from the album "Kind of Blue"
- 1959 - Jazz period
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Information
- Description
- Mindmap for GCSE Edexcel Music.
- Created by
- 18faishasu
- Views
- 2
- Tags
- History
-
- Created by 18faishasu · May 8, 2016
- Copied by 18faishasu · Jun 5, 2016
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