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3: WHAT DO WE SHOW?

Johanna Pyykkö Social psychology of communication 1 Inglés 2,5Valoración media 2,5 de 5 (2 valoraciones)

3: WHAT DO WE SHOW?

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3: WHAT DO WE SHOW?

  1. Non- verbal behaviour and communication

    • History:18th -19th century: "natural languages" > symbolic communication. Importance of immeadiate situaitonal facotrs: proximal/ situational influences & distal/ historical influences
    • Style:
      • Personal idiom
        • Instrumental aspects of action
        • Expressive aspects of action: personalized (e.g. voice or signature)
      • Skill
        • (Complex, coordinated motor acts) acquired from environment by practicing
    • Study of NVB
      • Knapp: 7 dimensions of NVB:
        • 1. Kinesics (body language)
        • 2. Paralanguage (content free vocalization)
        • 3. Physical contact (touching)
        • 4. Proxemics
        • 5. Physical characteristics of people
        • 6. Artefacts (cloths, perfume, jewelry)
        • 7. Environmental factors (setting)
      • Context is important!
        • Social climate: stressful/ relaxed situations
        • Formal (less NVB) / Informal setting (more NVB)
        • Physical/ social envirnoment
      • Ekman & Friesen: 3 categories
        • USAGE: all circumstances (setting, emotinal tone, relationship)
        • ORIGIN: root/ location of NVB ( nervous system, culture)
        • CODING: meaning of the NVB
          • Extrinsic: are something else than what they represent (e.g. thumbs-up)
          • Intrinsic: same as representation (eg. playful form of aggression = aggr.)
        • + 5 categories of behavioural acts
          • Emblems (culturally specific)
          • Illustrator: "it was this wide.."
          • Regulator: head nods, eye contact etc that regulate conversation flow. CULTURE SPECIFIC!
          • Adapters: object or self- manipulation (behavioural habits like scratching the head, folidng arms, pencil- tapping on table)
          • Affect displays: facial expressions
            • 7 universal emorions we are born with!
      • Encoder (talker) /vs. decoder (listener)
        • INFORMATIVE ACT
          • unintentional signal > interpretation
            • form impressions
        • COMMUNICATIVE ACT
          • Intentional: the message content
        • Encoder can send GOAL DIRECTED or NON-GOAL-DIRECTED SIGNALS
          • Decoder may interpret them differently
      • Patterson: 7 basic funtions of NVB:
        • 1. Providing information
          • 2. Regulating interactions
            • 3. Expressing intimacy
              • 4. Expressing social control
                • 5. Presentation function
                  • 6. Affect management
                    • 7. Facilitating service tasks/goals
        • Exchange of expressions in interaction
        • 4 classes of factors:
      • Actor and observer bias: Actors overemphasize situational factors in explaining own behavior, observers overemphasize dispositional factors
    • Dittmann: 4 channels
      • Language
        • Facial expressions
          • Vocalizations
            • Body movements
      • Based on communicative channel capacity
        • Defined by how much information each of the channels can transmit at any moment
          • Channels go from Communicative/discrete to Expressive/continuous
    • Mehrabian:
      • POSITIVENESS evaluation: > approach or avoid
      • POTENCY: status/ social control (cues of posture)
      • RESPONSIVENESS: activity cues
  2. Voluntary & Involuntary Behaviour // Detecting Decpetion

    • LIE: a deliberate intention to mislead.
      • Darwin: some emotions have universal facial impression > facial muscles can reveal our true emotions involuntarily (we canot control these muscles) > it's hard to hide true emotions
        • Reliable facial muscles: Facial actions that aren´t easily controlled by most people
        • Leakage of felt emotions: When parts of an expression occur (rapidly), betraying how a person feels even if that person is attempting to conceal their feelings
      • Lie continuum:
    • Differences between expressed emotions and truly felt emotions
      • Morphology
        • the facial expression looks different when emotion is truly felt than when it is faked (different muscle movements)
          • Fake smile: movements associated with fear, sadness or disgust
          • Duchenne smile: sincere smile, Orbicularis Oculi muscles are activated (laughing eyes) + Zygomatic major. Left frontal EEG activation (positive affect)
      • Timing
        • Duration and speed of onset, abruptness
          • Micro facial expressions
          • Fake emotions start and end abruptly and last too long
          • True emotions last ~0.7 to 4 sec.
      • Symmetry
        • Emotions are more intensely expressed on the left side of the face! > Sincere emotions are asymmetrical! (Except happiness)
          • True smiles are more symmetrical
      • Cohesion
        • Facial expression will be consistent with the content of speech
          • The context, usual manner, internal consistency
        • Lying cues: hesitation, changes in emphasis, speech errors and distancing language
          • Changes in the frequency or tempo of gestures
    • Experiment: Weaknesses: Based on high-stakes lies in laboratory setting with little preparation -> In real world people are more practiced in lies
  3. Hand gestures

    • Speech- gesture realtionship: Aid comprehension for the listener
    • Categories:
      • Illustrators / Ideational gestures
        • improve the listener´s attention, recognition, understanding and memory about the content > clarify the content
        • iconic &metaphoric gestures, related to the semantic content / concurrent speech
      • Conversational gestures (without relation to semantic content)
        • rhytmic & cohersive gestures linked to speech structure
      • Adaptors:
        • Self-addressed (touch own body)
        • Object- addressed (contact with objects)
        • Person -addressed
        • associated with anxiety, soemtimes with deception
    • Experiment
      • AIM: how gestures affect the perception of th espeaker and message and persuasion
      • DVs: coomunicative effectiveness, composure, comptenece, warmth of speaker and persuasiveness of message
      • Results:
        • Hand gesture type affected some factors of speaker evaluation, interpersonal perception and judgement
        • Ideational gestures are more effective than adaptors (object-addressed and self-addressed)
          • speaker seems more competent, has more effective communicaiton style and sending a more persuasive message
        • Generally, linked-to-speech gestures (ideational & conversational) influence the message evaluation and judgements about the speaker more than non-linked-to-speech (adaptor) gestures. > Namely, they improve perceived speaker composure
      • Weaknesses: (1) using a positive messgae in the manipulatiom, (2) relations among DVs, (3) cross- cultural comparisnon is needed
    • can also provide information about the speaker
      • e.g. social abilites
    • 2 dimensions underlying judgment:
      • Warmth, friendliness, sociability
      • Agency, competence, efficacy
    • Communication style is a way to affect perceptions of speaker´s features
      • Nonverbal characteristics inluence the perceptions of credibility, persuasiveness, competency or effectiveness of the speaker
        • NV styles also influence likeablesness, competence, powerfulness, anxiety...
          • NVB: hihg speech volume and speech rate, high eye contact > liking > persuasiveness

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  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?
  • 3: WHAT DO WE SHOW?

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Descripción
Lecture week 3 readings
Creado por
Johanna Pyykkö
Visitas
189
Valoración
Valoración media 2,5 de 5 (2 valoraciones)

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